The 99%

I had a conversation with a friend the other day about how revolutionary stories are always a little disappointing to them, because the author builds a world and then starts destroying it immediately, and they like the world-building much better because anarchy is always the same.

And that's what I thought of when I saw Occupy Seattle featured on the Seattle news. It's a brethren-organization to Occupy Wall Street, which is kind of sort of affiliated with We Are The 99 Percent, a photo-journal of stories submitted by discontented people around the US.

There are protests being staged and organized in several cities across the US, some, like the one in New York, culminating in arrests. But the protests don't have clear demands. They are calling for the economy to be better, for the American Dream to deliver as promised or at least not to lie to them.

It's the kind of unrest that demonstrates how a world, a culture work. It's an illustration of unrest without tearing down the world and making everyone start from scratch.

At least at this point. It's getting too cold here in the Northern Hemisphere for properly enraged civil disobedience. We'll see where we are in the spring.

Factors in World-Building

I grew up in the Cariboo, a region of central British Columbia whose economy centers around forestry, ranching, and tourism. These are important things to know about the Cariboo, as they shape life there. As a member of the community there, I planted trees, owned cowboy boots with real cow-shit on them, and was in the Billy Barker Days parade more years than I wasn't (and, going to their site to link it here, saw that my kindergarten teacher won first prize).

With my mom involved in several facets of the community and my dad involved in cycling, the dog sled races, the local paper, and the local news station while he was there, I grew up enmeshed in a small town, even though Quesnel has all of thirty thousand people.

For me, this led to several important facts, in no particular order:

-I have ridden a draft horse.

-I have been outside in -52 degrees Celsius

-I never want to be outside in -52 degrees Celsius ever again

-I can name five types of salmon off the top of my head

-I pay attention, in stories, to how sensibly a city is brought about.

This is especially important in speculative fiction and fantasy, where the worlds are more likely to be completely separate from our own, but also in literary or mainstream fiction. If your city is in the middle of a desert, with no obvious water supply, it will ruin the whole story for me. If your small town is surrounded by impassable mountains and no one could get in until a tunnel was blasted through and there is no apparent wealth (mineral or vegetable or animal) there, why does anyone live there in the first place?

Similarly, how does the town run? In large cities, this can be mostly excused, as they find ways to perpetuate long after the original reason is gone. In small towns, though, where a single industry can be the beating heart of the town, what is the industry? Does it have one? Having also spent time in the Midwest, I'll accept farming as an answer, now, though grudgingly.